Late 16th Century Collaborative Strategies
November 18th, 2009So apparently Collaborative Strategies were big in Antwerp around the 16th & 17th centuries… I saw this painting “Battle of Amazons” a collaborative painting by Jan Bruegel and P.P. Rubens at the Rubenhuis, in downtown Antwerp.
Earlier this morning I came across another Bruegel collaboration, a painting of the 9 muses meeting with Minerva, the Roman Goddess of War. This painting, which I didn’t get then name of, was housed in the Koninklijk Museum voor Schone Kunsten Antwerpen.
Hello Elemental Chile Architects
October 24th, 2009Documentary of Quinta Monroy Project in Iquique, Chile from elementalchile on Vimeo.
This project by Elemental Architects (Chile) reminds me of Rural Studio/Samuel Mockbee (US) in that they involve the public in the design process. This project however goes a step further by adding the potential for expansion and further customization to be realized by the dweller after the design is complete.
No Soul For Sale
June 24th, 2009Yesterday, X-initiative launched No Soul For Sale: A Festival for Independents. It was a nice turn out, it was like an art fair except without those nasty cubical-like partitions. Event goes on until Sunday 1-9pm. Studio Film Club at No Soul For Sale recently also added nightly film screening 9-11pm every night.

No Soul For Sale, June 23, 2009 NYC

No Soul For Sale, June 23, 2009 NYC

No Soul For Sale, June 23, 2009 NYC

No Soul For Sale, June 23, 2009 NYC

No Soul For Sale, June 23, 2009 NYC

No Soul For Sale, June 23, 2009 NYC
Retrofitting Function into Form
June 15th, 2009
Consumed,Repurpose-Driven Life – NYTimes.com
“America’s shopping infrastructure is vast and abundant. That’s the problem.”
The above is an article in the New York Times about the shopping mall crisis in the USA mentions the photography of Julia Christensen (above) which documents the conversions of big-box stores in the Big Box Reuse book and BigBoxReuse website and a new book with research on the phenomenon called “Retrofitting Suburbia,” by Ellen Dunham-Jones…
A similar book worth mentioning is Rem Koolhaas and his students’ work at Harvard called “The Harvard Guide to Shopping” …if you can get your hands on a copy. $112 and up on Amazon. [We happened to read the intro to Koolhass' "S, M, L, XL" in Vito Acconci's "Aesthetics of Information class" (Spring 08) and we also read a criticism of his books by Hal Foster in Siebren Versteeg's "Workshop in Design History" (Spring 08)]
In regards to re-purposing and mix-use space, here is a film by an artist friend of mine Hatuey Ramos-Fermin, which documents a special mix-use space in Holland.
Coexistence: “Since the year 2000 this Latin American migrants pentecostal church shares their worship space with a ping pong club in Amsterdam. Each weekend they transform the space.”
Finally, this is a great little guide book from architects Atelier Bow-Wow in Japan called “Made in Tokyo“… It’s an index of all the uniqueness of Tokyo’s architectural condition: very little space…
After Image (exhibit of propositions)
April 14th, 2009
PROPOSITIONS: ‘AFTER IMAGE’
Written + Realized: Documents, Objects, Flyers, Sculpture, Video, Painting, and Drawings.
(i) Is there any rest from images? In abstraction and representation? The attempt to deny the image is but just the most instinctual of all responses we can have to the image: shut it off. I am a bit confused to what you mean by shutting off the image? A way to think about it is like turing off the lights. Reading into it or not? Overlooking its formal qualities? Or it’s purpose of depicting something?. Both form and message, the next line answers states this…
As of this post, After Image is requesting propositions from:
[X] HSIAO CHEN • [ ] ZOE GHERTNER • [X] AMA SARU
[X] ANTONIO SERNA • [X] SUZANNE SONG • [X] PEGGY TAN
[ ] ARTHUR OU • [X] MATTHEW WILSON • [X] JOHN MONTEITH
[ ] KELSEY HARRINGTON • [ ] KEITH RILEY • [ ]HONG-KAI WANG
Seaxthetics, A Byproduct
April 2nd, 2009This article in Wired’s website “Beauty Affects Men’s and Women’s Brains Differently” caught my eye because of a recent discussion about how women and men process visual art differently. (Apparently there are studies that show a difference in the way men and women process music too.) But more interesting than the difference in how we process art –as everything is perhaps processed differently from person to person– was this line about how Camilo Cela-Conde, the researcher in the article, believes aesthetics could actually be a byproduct of other cognitive tasks.
Here is another article on the same study: Beauty is in the brain of the beholder… but more so if you’re a woman” again, it’s interesting to note that although men and women process art differently –at the end of the day thier defintion of beauty was the same.







