Bureaux.

tracking the cult of vision

May 3, 2011
by Antonio
0 comments

The Anarchist Turn

For those who missed out on the NYC Anarchist Bookfair panels and workshops, one of the panelist Chiara Bottici (anarchism & imagination) has co-organized this 2 day symposium at the New School:

- – - -

 

The Anarchist Turn

For a long time, the word “anarchist” has been used as an insult. This is because, at least since Thomas Hobbes, the concept of anarchy has been extended from its etymological meaning (absence of centralized government) to that of pure disorder – the idea being that, without a sovereign state, the life of individuals can only be brutish, miserable, and chaotic. This move was certainly functional to the ideological justification …of modern sovereign states, but not to an understanding of what anarchy might be.

In the last decade, this caricature of anarchy has begun to crack. Globalization and the social movements it spawned seem to have proved what anarchists have long been advocating: an anarchical order is not just desirable, but also feasible. This has led to a revitalized interest in the subterranean anarchist tradition and its understanding of anarchy as collective self-organization without centralized authority. But the ban on “anarchism” has not yet been lifted.

The aim of this conference is to argue for an “anarchist turn” in political philosophy. We want to discuss the anarchist hypothesis with specific reference to the philosophical tradition in its many historical and geographical variants, but also in relation to other disciplines like politics, anthropology, economics, history and sociology. By bringing together academics and activists, past and present, this conference will assess the nature and effectiveness of anarchist politics in our times.

Speakers: Miguel Abensour (Paris VII), Cinzia Arruzza (New School), Banu Bargu (New School), Chiara Bottici (New School), Judith Butler (UC Berkeley), Laura Corradi (Calabria), Stephen Duncombe (NYU), Todd May (Clemson), Alberto Toscano (Goldsmiths), Mitchell Verter (New School), Stephanie Wakefield (CUNY), as well as writers such as Andrej Grubačić , Cindy Milstein, Ben Morea from Black Mask and alleged authors of The Coming Insurrection.

The Hannah Arendt and Reiner Schurmann Symposium: The Anarchist Turn
http://www.newschool.edu/eventDetail.aspx?id=64753

05/05/2011 – 05/06/2011 11:30 a.m. – 8:00 p.m.

The New School for Social Research’s Philosophy Department invite you to the Hanna Arendt and Reiner Schurmann Symposium entitled The Anarchist Turn

Thursday, May 5th
11:15am-11:30am Opening Remarks by Simon Critchley
11:30am-1:00pm Black and Red: The Freedom of Equals, Chiara Bottici
1:15pm-3:00pm Anarchism and Feminism, Mitchell Verter, Cinzia Arruzza, Laura Corradi
4:00pm-5:30pm The Politics of Commensality, Banu Bargu
5:45pm-7:15pm Queer Anarchism and Anarchists Against the Wall, Judith Butler
8:00pm-9:30pm A Conversation with Ben Morea of Black Mask

Friday, May 6th
10:00am-11:30am Friendship as Resistance, Todd May
11:45am-1:15pm The Anarchist Moment, Andrej Grubacic,Cindy Milstein
2:15pm-4:00pm Geographies of Anarchy, Stephanie Wakefield, Stephen Duncombe, Alberto Toscano
4:15pm-5:45pm Spinoza on Voluntary Servitude, Miguel Abensour
6:15pm-8:00pm Spread Anarchy, Live Communism, The Accused of Tarnac

 

Organized by Jacob Blumenfeld, Chiara Bottici, and Simon Critchley

Location:
Theresa Lang Community and Student Center, Arnhold Hall, 55 West 13th Street, 2nd floor

Admission:
Free; no tickets or reservations required; seating is first-come first-served

April 5, 2011
by Antonio
0 comments

RE-INSCRIBING THE CITY: Unitary Urbanism today.

“The crisis of urbanism is worsening. The construction of neighborhoods, old and new, is obviously at variance with established modes of behavior, and all the more so with the new ways of life we seek. As a result, we are surrounded by a dull and sterile environment.”

“In old neighborhoods, the streets have degenerated into highways, and the leisure is commercialized and adulterated by tourism. Social relations there become impossible. Newly built neighborhoods have only two themes, which govern everything: traffic circulation and household comfort. They are the meager expressions of bourgeois happiness and lack any concern for play” – Constant Nieuwenhuis, International situationiste 3 (December 1959) pp. 37-40

RE-INSCRIBING THE CITY:

Unitary Urbanism today.

A vizKult panel discussion held In conjunction with The 5th Annual NYC Anarchist Book Fair

Saturday April 9th 4:15-5:45pm

Judson Memorial Church (balcony)
55 Washington Square South
New York City, NY

In the late 50s up until about the end of the 60s a group of artist known as the Lettrist/Situationist International (LI/SI) made a desperate attempt to re-inscribe the city so that it’s inhabitants could break free from the bleak urban routine of work and consumption. During this period several strategies were developed under the name of Unitary Urbanism. This panel reflects on the historical importance of these strategies in order to critically examine how they relate to their own work and the possible uses within society today.

MODERATOR: Antonio Serna
PANELIST: Ethan Spiglan, Adeola Enigbokan, Dillon De Give, Blake Morris, The Walk Study Group, and Wilfried Hou Je Bek (via skype)

 

BIOGRAPHIES

Ethan Spigland received an M.F.A. from the Graduate Film Program at New York University, and a maitrise from the University of Paris VIII under the supervision of Jean-Francois Lyotard and Gilles Deleuze. He has made numerous films and media works including: Luminosity Porosity, based on the work of architect Steven Holl, Elevator Moods, featured in the Sundance Film Festival, and The Strange Case of Balthazar Hyppolite, which won the Gold Medal in the Student Academy Awards.

Adeola Enigbokan. Artist, researcher, writer and teacher based in New York City. Her work is about the experience of living in cities today. Her work has been presented in several diverse venues: at the ConfluxCity Festival, Anthology Film Archive in New York, The Royal Institute for British Architects, London and the Van Leer Institute, Jerusalem. She teaches courses in Urban Studies, Media Studies, Sociology and Anthropology at several universities in New York City. Currently she is completing a doctorate in Environmental Psychology at the City University of New York. Website: http://archivingthecity.com

Dillon de Give started Lah an annual walking project that commemorates the spirit of Hal, a coyote who appeared in Central Park in 2006 and died shortly after being captured by authorities. Lah illustrates how a coyote might find its way into Manhattan with a reverse human journey out of the city: a hike retracing a potential coyote-like path through greenspaces. Citing examples of juvenile coyotes that have made long dispersal trips, the walk averages around 50-60 miles. Website: implausibot.com

Blake Morris uses walking as a core way to engage ideas and space, and also to create community. His last project was a yearlong exploration of the public works of Robert Moses, called The [Robert Moses] Walk Project, which resulted in over 50 walks throughout the NYC area. He also created the [untitled] Walk Project, and is working on Walking up an Appetite, an exploration of walking, food and technology. Currently his work can be seen at the Superfront gallery in LA, as part of Detroit: A Brooklyn Case Study.

The Walk Study Group is New York City walking group formed by Blake Morris and Dillon De Give. Each week case studies of strategic walking practice and theory in art, politics, ecology, and philosophy, are combined with specific short walks. The course will result in an understanding both theoretical and practical and culminates with a group walk constructed by the class for the public. Website: http://www.implausibot.com/walkstudy

William Hou Je Bek Wilfried is a ‘culture hacker’ who develops generative psychogeography. Inspired by concepts of drift (dérive) from Romanticism and, later, the Situationists around Guy Debord, Wilfried uses algorithmic routes to explore a city in non-intuitive ways. Hou Je Bek organizes dérives, where people walk through a city by taking computer code as a guideline, using the body as a means to perform software. Website: http://cryptoforest.blogspot.com

Antonio Serna is an artist living and working in New York. With art as his tool, he is constantly comparing and contrasting the human construct of progress with the animal instinct of survival. The results of which have been exhibited in New York, Spain, Mexico, The Netherlands, and Texas. Antonio has also taught and lectured at Parsons School of Design, St. Johns University, and at Brooklyn College as a teaching fellow. Outside of his studio, Antonio Serna enjoys rummaging through the social anthropology of art and visual culture. Website: http://www.antonioserna.com

 

Optional Texts:

October issue 79: Guy Debord and the Internationale situationniste [PDF 7.8mb]
A Special Issue. Guest editor, Thomas F McDonough. Winter 1997
table of contents:
Rereading Debord, Rereading the Situationists – Thomas F. McDonough
Why Art Can’t Kill the Situationist International – T.J. Clark and Donald Nicholson-Smith
AsgerJorn’s Avant-Garde Archives – Claire Gilman
Angels of Purity – Vincent Kaufmann
Lefebvre on the Situationists: An Interview – Kristin Ross (1983)
Situationist Texts on Visual Culture and Urbanism: A Selection:
Guy Debord – One More Try If You Want to Be Situationists (The S.I. in and against Decomposition)
Guy Debord – Theses on the Cultural Revolution
Michèl Bernstein – In Praise of Pinot-Gallizio
Constant Nieuwenhuis – Extracts from Letters to the Situationist International
Editorial Notes: Absence and Its Costumers
Editorial Notes: The Sense of Decay in Art
Constant Nieuwenhuis – A Different City for a Different Life
Editorial Notes: Critique of Urbanism
Editorial Notes: Once Again, on Decomposition
Raoul Vaneigem - Comments Against Urbanism
Editorial Notes: The Avant-Garde of Presence
Théo Frey – Perspectives for a Generation

In Conversation Raoul Vaneigem – Hans Ulrich Obrist, e-flux article 62, 2009 [PDF 1.1]

 

About vizKlut: This panel is part of vizKult, a loose band of artist and writers exploring the ‘cult of vision’. This group explores the ways in which the visual operates in our society and the mechanism which manufacture, shape, and control the world around us. In this sense VizKult’s emphasis is on the process rather than the products of our contemporary visual condition. http://www.vizkult.org

Additionally, in conjunction with the 5th Annual NYC Anarchist Book Fair, vizKult is presenting DISCRETE POWER, a group exhibition on display during the book fair weekend. Opening reception April 9th, from 6-8pm on the Judson Church balcony. For more info visit: http://www.vizkult.org/propositions/discretepower and http://www.anarchistbookfair.net

December 27, 2010
by Antonio
0 comments

U.S. White House, A Big Leaker

Norman Pealstine in chapter 4 of "News War", by Frontline

“Leaks and use of anonymous sources is very much in the fabric of American journalism today, the places where it’s most obvious are in Washington, Hollywood, Wall street and in Sports” -Norman Pearlstine, Editor-in-Chief, Time Inc., 1995-2005

Referring to the obvious leak to reporter Matt Cooper, from Bush/Cheney Advisers Karl Rove and Scooter Libby that blew the cover of an undercover CIA operative Valerie Plame, and therefor creating a smoke screen around the exaggerated nuclear threat that set the stage for the invasion of Iraq. That was July 14, 2003, four months after the US invaded Iraq.

Four years later, in the summer of 2007, the only person prosecuted for the leak was Cheney’s Adviser Scooter Libby, he received 2 yrs and some 250,000 fines. The Prison sentence was pardoned by George W. Bush, who said that the punishment was excessive. Never did the penalties go up the chain of command, let’s face it, they were all in it together, adviser’s don’t usually act on their own accord.

The Obama administration never fully held the Bush administration accountable for that leak nor did it hold accountable the Bush administration for all the misinformation leading up to the invasion of Iraq. +90,000 deaths in Iraq, based on several lies and leaks from the White House.

Three years and some 90,000 Iraqi deaths later, the White House is calling Julian Assange a terrorist? If you compare the outcome of Wikileaks’ Cablegate and The White House’s “PlameGate” (and the rest of the false information leaked or planted), just by sheer number of lives lost, who would you say are the real terrorist?

Valerie Plame White House Leak Chart

Chart showing the leak of classified CIA information as moving through the White House and into the press. Chart by SB after DB, User Leak watcher on en.wikinews.

**This Frontline documentary 2007 “News War”, gives and interesting picture on how the Bush administration worked the press, first leaking info to the press, then re-validating the leaks/info in further press statements. In this case, Dick Cheney leaked the info, Karl Rove on the other end further dissipates the information claiming it is common press knowledge, both Cheney and Rove wipe their hands clean of any leaking.

December 21, 2010
by Antonio
0 comments

Covering, Changing History of Paintings

 

Jan Gossart, Portrait of a Man

Jan Gossart, Portrait of a Man, ca. 1520–25

I would have thought that the covering of history, whether true of false, was a thing of the past. For a recent exhibition Man, Myth, and Sensual Pleasures: Jan Gossart’s Renaissance at the Metropolitan Museum, a restoration paints over a coat of arms that is falsely attributed to this Gossart portrait. Not only does it cover a certain history, it also affects the composition of the painting, creating a dense shadow on the right of the painting. But we’ll have to see it in person to be sure.

More info in the video:

October 27, 2010
by Antonio
0 comments

A Line in Nature

vizKult Proposition: A Line in Nature +
Urban Foraging Group v3 : Reading Group @ The Public School

As winter descends on the city and the vegetation beings to die out, it would seem like the right time to initiate a series of readings and screening on the topic of nature for the duration of the winter months, and come spring perhaps start a new season for Urban Foraging Group (season 2?)

I would like to trace the views of nature throughout time from the perspectives of art, philosophy, and social/anthropology. Each session can include screenings and trips to locations related to each grouping, and possibly invite writers or artist to address certain subjects.

Contribute/Join/Follow:
Urban Foraging Group v3 : Reading Group @ The Public School

October 25, 2010
by Antonio
0 comments

Bedlam

BEDLAM

SAT NOV 13TH- JAN 13th JAN 8TH
7PM – 10PM

@ BANK IRAN, 113 LEROY ST NYC

anthony titus • eric fertman • david sena • john furgason • laura napier • nichole van beek • carlos little • cy amundson • boveda • jeremy williams • rebecca haskins • antonio serna (B.C. 2010) • patricia gaeta • philippe arman • max miller • jeremiah stewart • kim reinhart • serban ionescu • kathryn lynch • erin krause • kora manheimer • brent owens

- – -

Bank Iran is pleased to present BEDLAM, an inaugural group exhibition in the new Bank Iran space.

An old new 8000 sqft space in the West Village, Bank Iran partially opens it’s doors and concrete and lending. Bank Iran includes the studios of Kathryn Lynch, Philippe Arman and Carlos Little and artist in indefinite residence John Furgason, as well as an exhibition space. Several artists have submitted to BEDLAM: Nichole Van Beek and Kora Manheimer paint keratin,  Serban Ionescu and Jim Dreitlein devise an air raid, Eric Fertman plants a blue forest, Max Miller mixes vegetable starch with paper water, Patricia Gaeta installs a curtain wall,  Kimberly Reinhardt brings a subway car, Jeremy WillIams puts light in a box, Carlos Little makes masks with crumbs, David Sena makes Swiss cheese, Anthony Titus paints a window, Erin Krause keeps a secret, John Furgason turns the lights off,  Philippe Arman brings ice from Iceland,  Rebecca Haskins paints a sculpture garden, Laura Napier calculates MTA fair hiking boots,  Cy Amundson discovers alien fossils, Kathryn Lynch goes to the dog park, Antonio Serna makes some Pruno, Jeremiah Stewart turns the floor into the wall and Boveda play the forecast.

BEDLAM is organized by Carlos Little.  Also exhibited are new works by Little & Sena, Little & Furgason, Little & Ionescu, Little & Moore and Little & Serna.

BEDLAM will be on view by appointment November 14th,2010 through January 13th, January 8th, 2011.